Mourning
Tom McDonough’s review of The Decision Between Us
I am very pleased to receive this review of my book by art historian Tom McDonough, that was recently published in the journal Critical Inquiry. Click on the link below to access the complete review.
Book Description and Endorsements
The Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death.
Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure, as well as deep loss and mourning.
“Through a compelling, lucid, and wonderfully suggestive reading of Nancy’s writings, we are exposed throughout The Decision Between Us to numerous scenes of seduction and abandoned existence, scenes at once erotic and funerary, intimate and desolate. An incisive contribution to the ways in which Nancy’s writings might be read today, the sense of sharing at the heart of the argument is both transformative and intensely ethical.”
Philip Armstrong, Ohio State University
“Ricco’s The Decision Between Us is a beautifully executed book on the execution and extension of being-in-relation. Its articulation of sexuality theory, deconstructive philosophy, and queer art opens up different idioms to each other the way lovers open to each other—excitedly, productively, and yet always enigmatically, pointing beyond what seems present. Ricco is also a brilliant close reader. An enrapturing read.”
Lauren Berlant, University of Chicago
“Reopening ground broken by Jean-Luc Nancy, The Decision Between Us traces the paradoxes of relational being across a range of artistic, literary, and philosophical ‘scenes.’ Through a series of startling juxtapositions, Ricco weaves together scenes of exposure, erasure, and unmaking to reveal the inseparability of aesthetics from ethics. This is an original and challenging work by one of our most brilliant philosophers of visuality.”
Tim Dean, State University of New York at Buffalo
New essay on “inoperative praxis” and an aesthetics of the separated gesture in…
Transmission Annual (2013)
LABOUR, WORK, ACTION
Edited by Michael Corris, Jaspar Joseph-Lester, Sharon Kivland
With guest editors Maureen Connor and Elizabeth Legge
Taking up Hannah Arendt’s reflections on three important human activities – labour, work, action – this book addresses the role that might be played by artist or work of art, and how this makes for agents and agency.
Contributors: Ivana Bago, Jordan Bear, Pascal Beausse, Bernard Brunon, Pavel Büchler, Armin Chodzinski, Annie Coll, Michael Corris, Janeil Engelstad, Francesco Finizio, Charlie Gere, Jerome Harrington, David Hopkins, Shannon Jackson, Vincent Victor Jouffe, the Pedagogy Group, Elizabeth Legge, Dale MacFarlane, Roberto Martinez, Mary-Lou Lobsinger, Hester Reeve, Oliver Ressler, John Paul Ricco, Abigail Satinsky, Juliet Steyn.
Transmission is a project that has encompassed an annual journal, a series of related publications, a lecture series, symposia and other events. Transmission Annual is a yearly publication, now in four volumes, edited by Jaspar Joseph-Lester (Royal College of Art, London), Sharon Kivland (Sheffield Hallam University), Michael Corris (The Meadows School of the Arts, SMU, Dallas, Texas), who were joined for 2012 by Noah Simblist (The Meadows School of the Arts, SMU, Dallas, Texas).
Lecture & Seminar at Rice University’s Humanities Center
On March 7 & 8, 2013 I will give a lecture and lead a seminar based upon my current book project: Non-consensual futures: pornographic faith and the economy of the eve. I am honored by the invitation extended by Professor Deborah Harter and her graduate students in the Mellon Seminar:
Frames of the Beautiful, the Criminal, and the Mad: The Art and the Science of Excess
Faculty leader: Deborah Harter, associate professor of French studies
Student participants: Sarah Seewoester Cain (linguistics), Linda Ceriello (religious studies), Kristen Ray (English), Nathaniel Vlachos (anthropology), and Rachel Schneider Vlachos (religious studies).
Seminar Description
Reflecting on representations of the “excessive” in science and in art of the modern period – madness, genius, criminal, eccentric, beautiful, and pathological – this seminar welcomes students from all fields in the humanities and social sciences. We will consider the aesthetic with scientific, the ethical with the historical, and play havoc with all usual boundaries of disciplines, period, and genre.

