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Deconstruction

University of Chicago Press, March 2014.

University of Chicago Press, March 2014.

The Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death.

Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras, and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure, as well as deep loss and mourning.

“Through a compelling, lucid, and wonderfully suggestive reading of Nancy’s writings, we are exposed throughout The Decision Between Us to numerous scenes of seduction and abandoned existence, scenes at once erotic and funerary, intimate and desolate. An incisive contribution to the ways in which Nancy’s writings might be read today, the sense of sharing at the heart of the argument is both transformative and intensely ethical.”

Philip Armstrong, Ohio State University

“Ricco’s The Decision Between Us is a beautifully executed book on the execution and extension of being-in-relation. Its articulation of sexuality theory, deconstructive philosophy, and queer art opens up different idioms to each other the way lovers open to each other—excitedly, productively, and yet always enigmatically, pointing beyond what seems present. Ricco is also a brilliant close reader. An enrapturing read.”

Lauren Berlant, University of Chicago

“Reopening ground broken by Jean-Luc Nancy, The Decision Between Us traces the paradoxes of relational being across a range of artistic, literary, and philosophical ‘scenes.’ Through a series of startling juxtapositions, Ricco weaves together scenes of exposure, erasure, and unmaking to reveal the inseparability of aesthetics from ethics.  This is an original and challenging work by one of our most brilliant philosophers of visuality.”

Tim Dean, State University of New York at Buffalo

 

 

On March 7 & 8, 2013 I will give a lecture and lead a seminar based upon my current book project: Non-consensual futures: pornographic faith and the economy of the eve. I am honored by the invitation extended by Professor Deborah Harter and her graduate students in the Mellon Seminar:

Frames of the Beautiful, the Criminal, and the Mad: The Art and the Science of Excess

Faculty leader: Deborah Harter, associate professor of French studies

Student participants: Sarah Seewoester Cain (linguistics), Linda Ceriello (religious studies), Kristen Ray (English), Nathaniel Vlachos (anthropology), and Rachel Schneider Vlachos (religious studies).

Seminar Description
Reflecting on representations of the “excessive” in science and in art of the modern period – madness, genius, criminal, eccentric, beautiful, and pathological – this seminar welcomes students from all fields in the humanities and social sciences. We will consider the aesthetic with scientific, the ethical with the historical, and play havoc with all usual boundaries of disciplines, period, and genre.

PURE BLOCK, TRANSPARENT

(Fordham University Press, 2008)

Multi-session workshop on Jean-Luc Nancy’s
On the Commerce of Thinking: Of Books and Bookstores,
as facilitated by John Paul Ricco.
Realized in coordination
with the exhibition Sediment at G Gallery, Art Metropole
and Of Swallows, Bookshop.

The three sessions of this workshop will cumulatively
involve a close and direct reading of this short book by
Jean-Luc Nancy. Each session will begin with 3-4 sections
of On the Commerce … being read aloud by workshop
participants with subsequent group discussion of the text,
led by John Paul Ricco.

Details for the three sessions are as follows:

Session 1: January 26 2012 at G Gallery, 7-9pm (sections 1-3)
On the Commerce of Thinking, Of Books and Bookstores
The Idea and Character of the Book
The Book’s End in Itself

Session 2: February 2 2012 at Art Metropole, 7-9pm (sections 4-6)
The People of the Book
Interminable Reading
The Publication of the Unpublished

Session 3: February 16 2012 at Of Swallows, Bookshop, 7-9pm (sections 7-10)
Book Open and Closed
The Scents of the Bookstore
The Commerce of Thinking
The Matter of Books

Those interested in attending the workshop are asked to
RSVP as soon as possible as there will be a limited number
of spots. Individuals that wish to RSVP are asked to
do so with the intention of attending all three sessions in
order to provide continuity and depth to the discussions.

To RSVP and for other information, please contact
Shane Krepakevich at skrepakevich(at)gmail(dot)com

G Gallery *NEW LOCATION*
134 Ossington Street (Entrance on Foxley Pl, rear of building)
Toronto, Ontario M6J 2Z5
info@sidecentre.com

Gallery Hours: Friday to Sunday 12 – 5pm

G Gallery location

G Gallery and sidecentre.com are generously supported by the College of Arts
and the School of Fine Arts and Music at the University of Guelph.

http://www.sidecentre.com/nancy.html